• Pages

  • Site Sections

  • Tags

  • Archives

Quantum of Solace – a cut-to-the-chase Bond

Tweet Quantum Of Solace – Marc Foster Daniel Craig’s is a ‘cut-to-the-chase’ Bond in every sense. Solace begins where Casino Royale left off and opens with a car chase. A bit of plot; then cut to the sea chase; a bit more plot and cut to the air chase. In between, a couple of Jason […]

The Pianist- Essay: aesthetics, ethics and the Holocaust

Tweet The Pianist – Roman Polanski Films with a Holocaust setting pose acute and unique problems for critical and aesthetic analysis. In no other context of human behaviour are important distinctions between moral and aesthetic judgement so disturbingly blurred. The Holocaust stands apart as the most appalling of all examples of man’s inhumanity to man […]

The Hunted – Essay: aesthetics and morality in film

Tweet The Hunted – William Friedkin The Hunted is a nasty little film. Brutal and brutalising. Because it displays considerable mastery of many aesthetic techniques of film-making, the way in which is it bad raises interesting philosophical and aesthetic questions. It is what one might call an aesthetically immoral movie. The attribution of moral concepts […]

Lord Of The Rings III – Return of the King – 9 hour trilogy ends with a fade on a door-knob

Tweet Lord Of The Rings – Return Of The King – Peter Jackson As the Laud of the Rings industry gears up for the Oscars, let’s get real. It will be a travesty if the Return of the King, the third and last in the Tolkein trilogy to be filmed, does not win a technical […]

The Savages – do not go gentle…….

Tweet The Savages – Tamara Jenkins Dylan Thomas wrote perhaps the best words ever written about age and death: Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Dylan’s words have everything Tamara Jenkins’ over-hyped movie lacks: respect […]

The Proposition – the Cave-man cometh and the Cave-man taketh away

Tweet The Proposition – John Hillcoat A new genre – the reductionist film. Everything reduced to the essential. Intelligence, coherence, credible artistic purpose – out. Who needs ‘em? Real characters with credible motivation in purposeful action that engages? Forget it. Superfluous. Distil to the essential. Consistency in tone and authoritative direction? Too cliched. Obvious. Let’s […]

Vantage Point – the subjectivity of perception

Tweet Vantage Point – Pete Travis Is he raw about the rugby, chagrined about the cricket; morose about Manchester United, mourning Middlesbrough or even cheesed-off about Chelsea? These are heavy blows in the masculine game of life so perk up your partner and treat him to a good night out. This one even runs a […]

Sophie Scholl – courage to celebrate and cherish

Tweet Sophie Scholl – Marc Rothemund True heroism, like martyrdom, must be imposed by fate, not sought. This is a profound moral principle that exercised Joseph Conrad in Lord Jim. Again, Robert Bolt’s Sir Thomas More in A Man For All Seasons does everything he can to avoid his looming martyrdom – except sacrifice his […]

The Other Boleyn Girl – two women, two sisters, two outcomes

TweetPicture to follow The Other Boleyn Girl – Justin Chadwick Robert Bolt and Fred Zinneman set the bar high. A Man For All Seasons won 6 Oscars in 1967 – best Picture, Director, Actor (Paul Schofield) Screenplay, Cinematography, Costume Design. Although set in the same chaotic period of English History, the special angle of interest […]

Munich – truth, fact, fiction and art

Tweet Munich – Director Steven Spielberg “Inspired by real events” opens this movie. And it troubles me. Do we owe the 11 Israeli athletes murdered at Munich anything less than the truth? Not the absolute truth, that may not be known to anyone. But if we are to put their story at the heart of […]