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Carnage: Roman Polanski – comedy of bourgeois manners and sensibilities

Tweet   Carnage – Roman Polanski Why? – must be the first question that comes to mind when adapting a work from another medium to film. The most obvious answer is the commercial hedge it represents to take a work with a proven track record of success. French dramatist Yasmina Reza’s play Le Dieu du Carnage was […]

The Descendants – Alexander Payne Heart-warming pathos – laid on thick

Tweet          The Descendants – AlexanderPayne I have laughed as the world ends in a ballet of atomic explosions to the voice of Vera Lynn; at a Knight struggling to fight back having lost both arms, gushing blood, undeterred even when his legs are the next to go; even God help me, once, […]

The Girl With The Dragon Tattoo – David Fincher’s skill beats the challenge of form

Tweet    The Girl With The Dragon Tattoo – David Fincher Like buses, you wait for ages for a film with a charismatic, independent, strong female character: then two come along at once: first Sarah Lund (Sofie Gråbøl in The Killing I & II), and Lisbeth Salander (First Noomi Rapace, now Rooney Mara) in The Girl […]

Hugo (3D) – Scorcese’s dazzling FOF (Front Of Frame) technical tour de force

Tweet         Technical        Entertainment Hugo (3D) – Martin Scorcese A technical tour de force. It is fascinating to see major Directors of regular 2D films grappling with the possibilities and limitations of 3D stereoscopic filming. Fast on the heels of Spielberg’s performance capture 3D Tin Tin we have Scorcese taking a radically […]

Wuthering Heights – Andrea Arnold: Emily Bronté it ain’t

Tweet      Wuthering Heights – Andrea Arnold “Well I’m not going to move to Yorkshire.” Comment from a guy I’ve never met as we left the Curzon. He was I think responding to the weather which dominates Arnold’s film, but his remark would have been just as apt referring to the characters as portrayed […]

Tintin Movie – 5 Star Technical: 2 Star Entertainment

Tweet      Technical   Entertainment   The Adventures of Tintin – Steven Spielberg and the use of 3D and Performance Capture – Essay/Review Spielberg: at last the Directorial penny drops on the use of 3D. What David Yates made innovative use of in the final Harry Potter film, Spielberg exploits rigorously throughout his Tintin movie to make it the […]

Definitely Maybe – A RomCom both funny and romantic

Tweet        Definetely Maybe – Adam Brooks I love feel-good movies: if they don’t insult my intelligence – and this one doesn’t. If they persuade me to believe in the characters and the emotions they have for each other – and this one does. If the feeling good has a little bit of […]

Apocalypse – When self-destructive personalities come into their own

Tweet  Melancholia – Lars Von Trier Bookend Malik’s Tree of Life with Melancholia and you’ve got the world covered: from beginning to end. Malik’s conception makes more sense, for having brilliantly conjured a representation of the creation of the world, then his narrative has somewhere to go. Von Trier’s film if not Maliks’ graphic equal, is none the less […]

Sex And The Single (English)man – Fear And Loving in Greece

Tweet    The Inbetweeners – Ben Palmer Tragedy takes many forms but there can few things more acutely tragic than the sight of four basically decent English lads adrift on a sea of hormones, desperately trying to get laid.  The odds they face are truly frightening: their chronological equals of the fairer sex are light-years […]

Conflict: between a part as written and a part as played. Hathaway 1 – Nicholls 0

Tweet    One Day – Lone Scherfig Da-Da-Di-Da; Da-Da-Da-Di – Rachel Portman’s musical signature to this movie is so evocatively Lawrentian and infuriatingly unforgettable that you expect Anne Hathaway’s Emma to emerge round a corner on a camel rather than her rickety, baseketted ladies bike. This theme regularly surges in and out like the tide […]