Gran Torino - stereotypes, old, Asian, ethnic meet Dirty Harry

Gran Torino - Clint Eastwood
Dirty Harry got to be old. And mean. I guess we expected that. Curmudgeonly, cranky, rollie-smoking, beer-drinking – a can and by-the-neck man, nary a glass in sight – ex-Korean War vet Walt Kowalski isn’t actually cop Harry Callaghan, just a kind of alter ego ‘with-no-name’ grown old, prejudices intact: justice [...]

Changeling - touted for the wrong Oscar

Changeling – Clint Eastwood
Cinema, film is a collaborative art. If the director has the integrating artistic conception of the film, he still has to assemble his realisation of that ‘vision’ through the many critical disciplines, each an art in its own right, that provide the warp and weft of the finished film. It is easy [...]

Million Dollar Baby - journey of respect

Million Dollar Baby - Clint Eastwood
Don’t be put off. This superb film is not light, trite or funny as it’s silly title suggests. Rope Burns, its working title, would have been fine. More importantly: boxing is its context, not its subject. Even if you hate boxing, you can still enjoy this movie. And it is [...]

Flags of Our Fathers - resonant as a brick

The Flags of Our Fathers – Clint Eastwood
(BBC Prize Review)
This film has the resonance of a brick. There is more evocative imagery of the pathos and tragedy of war in the stills shown over the final credits than in the whole 132 minutes of film that precedes them. It is hard to believe that Eastwood [...]